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Patterns in Comparative Religion, by Mircea Eliade
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In this era of increased knowledge the essence of religious phenomena eludes the psychologists, sociologists, linguists, and other specialists because they do not study it as religious. According to Mircea Eliade, they miss the one irreducible element in religious phenomena—the element of the sacred. Eliade abundantly demonstrates universal religious experience and shows how humanity’s effort to live within a sacred sphere has manifested itself in myriad cultures from ancient to modern times; how certain beliefs, rituals, symbols, and myths have, with interesting variations, persisted.
- Sales Rank: #212102 in Books
- Published on: 1996-09-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 1.03" w x 5.51" l, 1.19 pounds
- Binding: Paperback
- 484 pages
Language Notes
Text: English (translation)
Original Language: French
From the Back Cover
Eliade abundantly demonstrates universal religious experience and shows how humanity's effort to live within a sacred sphere has manifested itself in myriad cultures from ancient to modern times; how certain beliefs, rituals, symbols, and myths have, with interesting variations, persisted.
About the Author
Mircea Eliade’s works include the multivolume History of Religious Ideas.
John C. Holt�is a professor of religion at Bowdoin College and the author of The Religious World of Kirti Sri: Buddhism, Art, and Politics of Late Medieval Sri Lanka.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By avidarkansasreader
Great read.
54 of 62 people found the following review helpful.
Brilliant, if rather dated
By Christopher I. Lehrich
Mircea Eliade's contribution to the study of religion cannot be overestimated; his works quite simply revolutionized the discipline. Unfortunately, he had a tendency, especially in later life, to crank out volumes on every conceivable theme and concept, and many of these later works simply do not work. But he wrote a small number of great books, works without which you simply cannot claim to have read the "classics." Patterns is one of these great books.
The translation is dubious, to the say the least, but even so Eliade comes through. He always does. In Patterns, he walks through a kaleidoscope of images and concepts, demonstrating at once his brilliance and his disturbingly broad reading. He never uses one example where ten will serve, and this becomes part of the whole argumentative structure of the book.
The point, you see, is that these "patterns" he pulls out-out of history, out of context, whatever-appear again and again. The opening chapter, on "Sky Gods," for example, is a little manifesto, a demonstration of everything Eliade is all about. If you really master this chapter, come to understand every bit of how it works, you will truly understand Eliade.
For those who have been introduced to Eliade through The Sacred and the Profane, for example, and are looking for an accessible book, Patterns does have the difficulty of moving rather rapidly through its arguments. Some discussions simply move too fast for the general reader; Eliade is trying to talk primarily to scholars, and as such he assumes that his readers have some familiarity with his examples. But unless you plan to challenge his thought deeply, you simply do not need to read all of the background material.
One failing of Patterns is simply its publication date: this book is from the fifties. And a lot has changed since then, particularly our knowledge of lots of other religions. So sometimes his examples seem simplistic, or downright dubious-and they are! But you just can't begin to make sense of Eliade without Patterns.
If you liked Joseph Campbell, it's time to step up to the plate. Read Patterns, maybe reading Cosmos and History and The Sacred and the Profane first, and you'll see the real thing at work. It's true, he doesn't really address his audience magnetically as Campbell sometimes does, but then his project is primarily to suggest to that reading and studying other people's religions is the only way for moderns. You see, desacralization has made modern humanity incapable of seeing the truly powerful worldview of homo religiosus (religious humanity). But unlike Campbell, Eliade doesn't think that we can solve this by getting in touch with our bliss and our myths; he thinks that only reading books can approximate this world.
Admittedly, from a scholarly perspective Eliade is a crypto-theologian with a huge axe to grind. Sure, some of his examples are extremely problematic-a point that Jonathan Z. Smith has made on more than one occasion. But like Smith, I'd argue that we need to go through, not around: without Eliade, we can never really make sense of how we look at religion now, how everyone looks at it.
The point about Patterns is that it's really a great book. It's wrong-about just about everything, when you get down to it!-but it's one that needs to be read. These days, lots of folks in and out of the Ivory Tower seem to want to get in touch with spirituality. But Eliade was talking about this fifty years ago, and his points still have considerable weight. Why reinvent the wheel? Go to the source, read Eliade at his best, and feel a revolution overtaking you.
5 of 5 people found the following review helpful.
must-have book
By Tondbeort of the Fen
this is a must-have book for everyone interested in mythology and religion. this book defines what religion was to ancient people, and what was considered sacred to them. it covers the structure of the sacred, the sky and sky gods, the sun and sun-worship, the moon, water and water symbolism, sacred stones(why they were considered sacred), the earth/woman/fertility connection, vegetation/regeneration, the axis mundi, agriculture and fertility cults, sacred places, sacred time, the function of myths, and the structure of symbols. in this book you will find what all religions and mythologies, from all over the world, have in common. you will find the roots of all religious beliefs in this book. it is definitely worth your time to read, again and again.
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